Claus Gunti (PhD) is an art historian, writer and curator based in Lausanne, Switzerland. He is lecturer at the University of Art and Design Lausanne (ECAL) and coordinator at the Centre de la photographie Genève. His research focusses on the intersection of art and technology and new forms of photographic practices, with a particular interest for the interstice between "reality" and virtual spaces. His book Digital Image Systems came out in 2020, in 2021 he co-published the book Automated Photography with Milo Keller and Florian Amoser, also shown as an exhibition in Europe and Asia. Making Light of Every Thing, a show curated with Danaé Panchaud addressing intimacy and image fabrication processes, was on view at Centre de la photographie Genève in Spring 2024. His recent writing includes texts on Gaétan Uldry's project I No Longer Love Blue Skies on drones in Ukraine and on the representation and commodification of flowers for Jeremy Ayer's book Organs of a Divided Labour. Flowers. His texts on various AI and CGI projects are featured in Foam Magazine #66. Currently he is writing a book on photographic objects for the book series Superscripte and has just started a research project at ECAL on computer generated images, emotions and photography.